My semi-abstract portraits emerge from the idea that language, memory, and reality are never entirely stable. The characters inhabit a world where words seem to shift meaning over time, where familiar origins suddenly become unfamiliar, creating the unsettling sensation that history itself may have quietly rewritten itself. Rather than accepting memory as flawed, the work imagines parallel realities, alternate emotional and linguistic landscapes in which meanings evolved differently.

“Cosmopolitan” (2024, 130 x 90 cm, acrylic and oil on canvas) painted in vibrant, expressive colors, exists between recognition and distortion, balancing intimacy with ambiguity. The fragmented forms and fluid identity invite the viewer to question perception, memory, and the fragile construction of truth. This portrait becomes less a fixed representation of a person and more an emotional imprint, a psychological echo suspended between multiple possible realities.

The use of vivid color fields and semi-abstract gestures allows the portrait to transcend traditional figuration, creating an immersive emotional atmosphere rather than a literal likeness. The face appears as a  shifting presence, carrying traces of forgotten histories, altered memories, and imagined futures.

As a digital semi-abstract portrait (“The Cosmopolitan Traces of Forgotten Futures”, 2026,

color, 00:01:17 hrs., MPEG-4 in HD), the work gains another layer of meaning: identity becomes a fluid visual artifact capable of existing simultaneously across different timelines, networks, and interpretations. The piece functions as both a portrait and a speculative archive, a visual record of a consciousness caught between memory, technology, and parallel existence.